田野的影像是晦暗的或者说暧昧的,却是有魅力的,一种具有思想深度的感性魅力,就是:让意识进入未来。影像停留于过去,停留于快门打开的那个瞬间,对影像的理解就是在意识中重返那个瞬间而从中看着镜头前的对象,但是重返过去,这是由于我们不能凭空面对未来,即面对未来的可能性必须有历史线索,否则无从 The image of the field is dull or ambiguous, but it is attractive. A kind of sentimental charm with depth of thought is: letting consciousness enter the future. The image stops in the past and stays in the moment when the shutter is opened. The understanding of the image is to return to that moment in consciousness and look at the object in front of the camera, but return to the past because we can not face the future from scratch The possibility of facing the future must have historical clues, otherwise impossible