《黛莱丝·德克罗》和《黑夜的终止》是现代法国名作家弗朗索瓦·莫里亚克的两个卓越的中篇。这两个相互联系又独立成章的姊妹篇,通过对女主人公黛莱丝一生痛苦遭遇的淋漓尽致的描写,猛烈地抨击了资本主义制度和私有观念对人性的压制和扭曲,无情地揭露了在资本主义社会中,隐蔽在夫妇之爱、亲子之爱等等温情脉脉的面纱下的赤裸裸的冷酷的利害关系,每个人不管他是否意识到这一点,都因无法挣脱这一旋涡的向心力而被卷入苦难深重的深渊。正是这种揭露和抨击确立了莫里亚克创作的基调,使他的作品成为一幅巨大的 “De Laisi De Kero” and “The End of the Night” are two remarkable mid-passages of modern French writer Francois Mauriac. These two interrelated and independent sister chapters, through the painstaking description of the protracted painful life of De Laisi, violently attacked the repression and distortion of human nature by the capitalist system and private conceptions, mercilessly revealed that in the capital In a communist society, the stark, starkly unfair interest concealed under the veil of tender love, parent-child love, etc., regardless of whether or not he is aware of it, is caught up in the inability to break free from this vortex Abject deep suffering. It is this revelation and attack that establishes the tone of Mauriac’s creation and makes his work a huge