可能是吕胜中担任策展人的原因,前波画廊这次参展艺术家的作品实验性都很强,而且大都还和纸质的材料有关,不管是以软纸为创作媒介抑或是木头、玻璃。进入展厅中作品有薄薄的纸巾编制而成的时尚感很强的衣物,还有用报纸编制而成的盔甲,材质和作品之间巨大的反差使得人们产生错觉:这究竟是艺术作品还是时尚服装?这些复杂精细的编织都让人能够感受到艺术家对材料运用的捻熟。平常材质的非常规创作也是中央美院实验艺术系一直以来所倡导的教学理念。观念对于创作的重要性在四位参展艺术家作品中得到了充分的体现,其中《打碎杜尚的小便池》这件作品是艺术家出于自己的理解和方式重新解构了这件艺术史上最著名的作品。安上拉链的小便池不再是那件经典作品。对于艺术家而言,杜尚的小便池只是一个象征,一旦思维模式打开 This may be the reason why Lv Shengzhong was a curator. The artwork of the artists participating in this exhibition was very experimental and most of them were related to paper-based materials, whether made of soft paper or wood or glass. Into the exhibition hall works of thin tissue paper towels prepared from fashion sense strong clothing, as well as compiled with newspaper armor, the material and the huge contrast between the works make people illusion: This is an art work or fashion clothing These complex and delicate weaving make people feel the familiar use of materials. The unconventional creation of ordinary materials is also the teaching philosophy advocated by the Experimental Art Department of the Central Academy of Fine Arts. The importance of ideas for creation is fully reflected in the work of four exhibiting artists, “Breaking the Duchamp’s Urinals,” which is the artist’s most famous remembrance of the art history in his own understanding and way s work. Unending zipper is no longer the classic piece. For the artist, Duchamp’s urinal is just a symbol, once thought mode is turned on