王士镇的诗歌以“神韵”说为指导,强调言外之意,含蓄蕴藉,深得诗之本旨和艺术创造的真缔,并与清初变化了的社会心理合拍,受到皇权的关注和眷遇。其神韵诗追求文外之美,冲和淡远,风致清新,继承王、孟一派的家数,含情绵渺而纡徐曲折,惨淡经营却不露斧凿痕迹,音节流利跌宕,词句明隽圆润,令人回味遐想,把我国诗歌的传统精神和古典审美特征张扬到极致,在诗歌史上作出了贡献。 Wang Shizhen’s poems, guided by the theory of “charm”, emphasize the meaning of words and implication, gaining the essence of poetry and the creation of art. In accordance with the changing social psychology of the early Qing Dynasty, Wang Shi’s poems receive the attention and reunion of imperial power. The charm poetry pursuit of beauty outside the text, red and far away, the wind fresh, inherited the king, the number of Meng school, with inexplicable and twilight twists and turns, dismal business without revealing marks, syllable fluent ups and downs, It is reminisced of aftertaste, the traditional spirit of our poetry and classical aesthetic features to the extreme, in the history of poetry has made its contribution.