对于小说家而言,文学创作是具有无限可能性的,没有什么素材是不能作为创作对象的。不过我相信,大多数的小说家都倾向或只写自己熟悉的素材。如果题材熟悉,人物熟悉,小说家创作起来就“底气”加“地气”十足,游刃有余,他尽可以放开自己叙述的手脚和想象的马达,在虚构世界里一路飞驰。熟悉,给小说创作提供了一个坚实稳定的基石,让小说通往成功的道路变得开阔明亮。但同时,熟悉的素材往往也意味着危险,因为 For the novelist, literary creation is infinitely possibilities, no material can not be the object of creation. However, I believe that most novelists are inclined to write only their own familiar material. If the subject matter is familiar and familiar to the characters, the novelist will create his own style of “gas” and “earth gas” full of ease and ease, he can let go of his narrative hands and imagined motor, speeding in the fictional world. Familiar with the novel to provide a solid foundation for stability, so that the novel’s path to success has become bright and open. But at the same time, familiar material often means dangerous as well