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张炜在创作初期,在描写客观自然景物美好的同时又深深寄希望于人与人之间的和谐;在对动植物展现喜爱的同时又暗喻善良美好的人性。随着创作的深入,张炜对自然的感情变得越来越强烈,动植物被高度拟人化。张炜这种“创造自然”的新尝试,实际上是受其内心知识分子情怀的操纵。细致分析张炜对自然感情变化的曲线,有助于更全面把握张炜民间性的特点,也有助于挖掘民间自然变化背后知识分子情怀的发展。
In the early days of his creation, Zhang Wei portrayed the beauty of the objective natural scenery and deeply placed his hopes on the harmony among the human beings. At the same time he showed his affection for plants and animals and at the same time implied the good and beautiful human nature. With the deepening of creative writing, Zhang Wei’s feelings toward nature become more and more intense, and plants and animals are highly anthropomorphized. Zhang Wei’s new attempt at “creating nature” is in fact manipulated by the feelings of his inner intellectuals. A careful analysis of Zhang Wei’s curve of changes in feelings of nature helps to grasp the characteristics of Zhang Wei’s folk character more fully and also helps to tap the development of feelings of intellectuals behind the changes in folk nature.