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《纠缠》是个大陷阱！艺术的大陷阱！从《纠缠》的大陷阱里掉下去,你会在迷茫、不安、焦虑与恐怖中,为画家木鬼喝彩! 一种典雅,似乎生来就用来承接风花雪月的中国传统艺术,经木鬼那残忍而又冰冷的水墨一勾、—皴、一染、一点,竟生造出一些变形的轮胎、烟囱、烟雾、管道等工业产物和一些姑且称之为非男非女、似人似兽的地球怪物。这些工业产物与地球怪物借着靡乱的章法纠缠在一起,让你再也看不到中国水墨画中固有的“高远、平远、深远”的意境和“水墨晕章”、“墨分五色”的宁(?)……
“Entanglement” is a big trap! Art of the big trap! From the “entanglement” of the big trap fall, you will confuse, anxiety, anxiety and horror, applause for the painter Wood Ghost! An elegant, it seems born to be used to undertake romantic Chinese traditional arts, the wood ghost cruel And a cold ink and a hook, 皴, a dye, a little, actually make a number of deformed tires, chimneys, smoke, pipes and other industrial products and tentatively called non-males and females, monster. These industrial products are intertwined with the Earth monsters through the chaotic rules, so that you no longer see the “lofty, far-reaching and far-reaching” artistic conception and the “Ink and Wash Halo” inherent in Chinese ink painting, Ning (?) ...