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巴迪欧从柏拉图出发,认为电影的本质是理念(主题)对形式的一种拜访,而电影的运动(分为整体运动、局部运动和艺术语言之间的运动)是虚假的,并非真正的运动;对电影运动的不同理解产生了三种评判电影的方式:无差别判断、区别判断和公理性判断。
Starting from Plato, Badiou believes that the essence of cinema is the philosophical (thematic) access to form, and the motion of cinema (divided into movements between the whole movement, local movement and artistic language) is false, not real Movement; Different interpretations of the motion of the movie produce three ways of judging a movie: non-discrimination, discrimination, and fair judgment.