什么是理想的双年展?本文的作者是一位资深的建筑师,曾就职于在美国SOM建筑设计事务所和伯克利大学建筑系任研究生导师,现为AECOM深圳公司首席建筑师和建筑主任,在本文中作者根据自己的经历指出,如今建筑师和设计师的个体创造力已然受到了威胁,这并非因为作为个体的他们缺少创造性思维,而是大家的日常经验不再独一无二。在这种乏味的全球经济圈和信息网中,我们早已无计可施。个体已不是自主创造的源泉。既具备全球经验也有区域特征的创意者也早已不复存在。在全球范围的思想往复交流与索取的循环链中,我们如何才能做到独具一格?她认为最为理想的双年展应开放一个实体平台,从而为创意者们提供质疑全球化的机会,同时也得以反思我们的专业独立性、创造性以及个体的独特性。 What is the ideal Biennale? The author of this article is a senior architect who worked for SOM architectural design firm in the United States and postgraduate tutor in architecture department of Berkley University. He is now the chief architect and director of architecture of AECOM Shenzhen Company, In this article, the author points out, according to his own experience, that the individual creativity of architects and designers is now threatened not because they lack creative thinking as individuals, but that their daily experience is no longer unique. In such a boring global economic circle and information network, we have already done nothing. Individuals are no longer sources of self-creation. Creative people who have both global experience and regional characteristics have long ceased to exist. How can we be unique in the circular chain of reciprocating exchanges and requests of ideas around the world? The best biennale she believes should open up an entity platform that gives creative people the chance to question globalization, It also allows us to reflect on our professional independence, creativity and individual uniqueness.