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1994年以来,我曾经三次到上海参加纪念京剧艺术大师周信芳诞辰的学术研讨活动。前两次是纪念梅兰芳、周信芳两位大师的百年和110周年诞辰,又一个10年过去,在周信芳诞辰120周年之际,再次出席研讨会,正如我过去所感受到的,每次都是更深一步地走近大师的演剧思想,获取新的启示和认知。作为京剧史上承前启后的一代宗师,周信芳演剧思想博大精深,极为丰富和深刻,我把新的感受归纳为三组数字,或许更为集中和易于表达。
Since 1994, I have been to Shanghai for three times to attend the academic seminar commemorating the birth of Zhou Shunfang, the master of Beijing opera art. The first two commemorating the centenary and the hundredth anniversary of Mei Lanfang and Zhou Xinfang two masters, another 10 years later, attended the symposium again on the 120th anniversary of the birth of Zhou Shunfang, as I have felt in the past, every time They all approached the masters’ idea of drama more deeply and gained new inspiration and cognition. As a great master in the history of Peking Opera, Zhou Xinfang’s drama thought is profound, rich and profound. I summed up the new feelings into three groups of figures, which may be more concentrated and easy to express.