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“书画同源”“以书入画”是中国书画创作一以贯之的理论。从唐代张彦远提出的“书画同源”理论,到元代赵孟頫达到理论与实践相结合的新高度。本文从赵孟頫的作品出发阐释、分析他所提倡的“以书入画”的理论、他的创作方式及其对后世文人画的深远影响。
“The same origin of painting and calligraphy ” “The book into the painting ” is a consistent theory of Chinese painting and calligraphy. From the theory of homology of painting and calligraphy put forward by Zhang Yan-yuan in the Tang Dynasty to the new height of combining theory with practice in the Yuan Dynasty. This essay starts with the works of Zhao Meng-tao, analyzes his theory of “painting in books”, his creation method and his profound influence on later literati paintings.