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第五届。“飞天奖”的电视连续剧和单本剧的一等奖被三位青年导演所夺,这是个值得注目和剖析的题目。讨论他们,对提高电视剧质量无不好处。首先,我将他们放在电视剧历史的座标上寻找他们的位置,同时,从近年来文学艺术现象来思考,找寻他们和他们的作品给电视剧带来的那些新的审美观点。我国电视剧的历史不过三十余年,真正发展也仅五、六年。这样短的历程中,开拓者和探索者已经以自己的作品划出了一条急速上升的曲线,一九八四年的收获,特别是在一批青年导演中的作品里,已初见端
The fifth. The “Sky Award” series of television dramas and the first prize of the series were taken by three young directors, a topic worthy of attention and analysis. Discuss them, to improve the quality of the TV drama without exception. First of all, I place them on the historical coordinates of the TV series to find their place. At the same time, I think from the phenomena of literature and art in recent years and find out the new aesthetic points that they and their works bring to the drama. However, the history of China’s TV series has only been more than thirty years and its real development has only been for five or six years. In such a short course, the pioneers and explorers have drawn a rapidly rising curve with their own works. The harvest in 1984, especially in the works of a group of young directors, has seen its beginning