有人认为沪剧历史短,沒有什么传統;我自己也看过不少沪剧新編剧本的演出,觉得除了唱詞以外,在編剧分場、表演方法和舞台設計上,吸收了不少話剧的东西,而沪剧自己的传統却淹沒得只剩一鱗半爪了。因此,我过去也认为沪剧历史短,底子浅,沒有什么值得我們学习的优秀传統。但这次看了《借黄糠》以后,使我大吃一惊,原来沪剧里有那么丰富而优秀的传統,并且有它独特的風格,值得我們好好继承和学习。我对沪剧知道得很少,对沪剧传統更是一无所知,現在只就《借黃糠》剧本談談自己的感受。《借黄糠》这个传統剧目的民間泥土气很重,朴素簡单,但爱憎分明,感人极深。作者站在穷苦的劳动人民的立場上对盘剝重利、吝啬自私的暴富之徒竭尽諷刺与鞭撻的能事?蠢凑獗鞠分簧婕暗郊彝ガ嵤隆? Some people think that the history of Shanghai Opera is short and there is no tradition. I have also read many performances of new dramas of Shanghai Opera. I think that in addition to the lyrics, I have absorbed quite a lot of drama in screenwriter subdivision, performance methods and stage design , But its own tradition of Shanghai Opera was inundated with only a half-claw left. Therefore, in the past, I also think that Shanghai Opera has a short history and a shallow foundation. There is not a good tradition that we should learn from. However, after reading “borrowing chaff”, I was taken aback by the fact that there was such a rich and excellent tradition in Shanghai opera and its unique style, which deserved us to inherit and learn well. I know very little about Shanghai Opera and I know nothing about the tradition of Shanghai Opera. I just talk about my feelings about the script borrowed from the Yellow Branches. Folk borrowed from the traditional play “borrowing yellow bran” is very rustic and simple, but its love and hate are clear and touching. The author stands in the position of the poor working people on the exploitative, miserly selfish riches who ironic thorn and lashing can do?