马远绘画与南宋理学的美学关联

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早在宋之前的两汉时期,以经学为主的儒学独尊天下。到了唐代,注重考据章句之风的经学走向极端,形成一种腐乳风气,导致儒学衰微。儒家的文化信仰出现危机。在朱熹的美学理论中,都在构建理气、道与器的不即不离、两者合一中,理在气中,道在器中。从整体来说虽然两两有别,但从一体来说,两者是一体的。所以朱熹强调“道外无物,固不足以为道,且文而无理,又安足以为文乎?盖道无适而不存者也。”[1] As early as before the Song Dynasty in the Han Dynasty, Confucianism dominated by Confucianism dominated the world. In the Tang Dynasty, the study of the wind stressing on the essay was extremely extreme, forming a fermented milky way that led to the decline of Confucianism. The crisis of Confucian cultural beliefs. In Zhu Xi’s aesthetics theory, they all construct qi and qi and qi, which are both in the atmosphere and in the device. Although the two are different from each other in their entirety, they are all in one. Therefore, Zhu Xi emphasizes that "there is nothing outside the road, solid enough for the road, and unreasonable, but also safe enough for the sake of the text.
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