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南京佛手湖边的玻璃钢宅是张永和教授的又一个“小”的作品,同时体现了他的“唯物主义建筑”态度。我曾在评述张永和老师的《大/小》一文中提到:当代中国建筑需要面对现代性命题,而所谓的“小”与“大”相比并不只是尺度上的变化,而是对当代建筑现代性问题的一条深入的途径。玻璃钢宅具有一些基本特点:结构体、材料、复制,还有一个是吸收——被自然吸收或者是吸收自然。这些特点都可以来同时思考“小”与“大”的问题。
The glass-fiber house at the lake in Nanjing Buddha’s hand is another “little” piece by Professor Zhang Yonghe, which shows his attitude of “materialistic architecture” at the same time. In my review of the “big / small” teacher Zhang Yonghe, I mentioned in his article: Contemporary Chinese architecture needs to face the proposition of modernity, and the so-called “small” is not just the standard Change, but it is an in-depth approach to the problem of contemporary architectural modernity. FRP house has some basic features: structure, material, copy, and one is absorbed - either naturally or absorbed naturally. These features can all be used to think “small” and “big” issues at the same time.