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近三十年中国美术界的繁荣,渐渐完满与延展了许多学者对中国“美术转型期”的期许。而因为“重彩”绘画愈来愈丰富地发展,“绘画性”与“制作性”这样的名词在中国画领域引起了强烈争鸣;其中重彩材料和绘画技法与“日本画”、“日本化”等称谓联结在一起,一直是美术界热议的话题。众所周知,中国的文化艺术是日本古代艺术发展的母体,但不能不说的是,近代日本的色彩研究却走在了中国的前面。
The prosperity of the Chinese art community in the past 30 years has been gradually fulfilled and extended the expectations of many scholars over the period of “art transition” in China. However, because of the more and more rich development of painting, the notion of “painting” and “making sex” aroused strong controversy in the field of Chinese painting, in which the material of color and painting and the technique of Japanese painting “, ” Japan "and other titles together, has been a hot topic in the art world. As we all know, Chinese culture and arts are the precursors of the development of ancient Japanese art. However, we can not but say that the study of color in modern Japan came in front of China.