论文部分内容阅读
音乐作品“二度创作”的优劣程度取决于很多方面,主要有个人文化修养、对作品的全方位了解等等,但最重要的一步是理解作品之后的表演部分,这部分牵涉到性格的指引力,即当音乐作品与表演者性格相符时,可以很大程度上帮助表演者完成音乐作品;反之性格与音乐作品不符,则会影响表现力。本文拟大致将性格进行内外向的划分,之后针对内外向表演者的性格特点进行调查研究,通过分析内外向性格在二度创作中呈现的利弊,探讨出解决问题的方法。
The extent to which a piece of music “second degree creation ” depends on many aspects, including individual cultural accomplishment, full understanding of the work, etc., but the most important step is to understand the performance part after the work, which involves The guiding force of character, that is, when the music works is in accord with the personality of the performer, can greatly help the performer to complete the music works; on the contrary, the disagreements between the characters and the music works will affect the expressive force. This article intends to roughly divide the character from the outside to the outside. After that, this thesis investigates the personality traits of the inside and outside performers, and explores the ways to solve the problems by analyzing the pros and cons of the inside-outside personality in the second-degree writing.