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本刊去年12期发表了魏明伦先生的文章《当代戏剧之命运》,在戏剧界产生了极大的反响,由此,本刊开辟了“当代戏剧之命运”专栏展开了深入的讨论。半年来,激流涌动,风响云集,许多理论家、评论家以至基层戏剧工作者们纷纷来稿,参与讨论,一时间“当代戏剧之命运”成了关注的热点。本期刊发了四位同志的讨论纪要,话题涉及了戏剧与大众文化、艺术价值的评价、文艺政策、创作规律、艺术家的职责、戏剧的希望与前景等诸多方面。其目的是广开思路,将讨论引向更深更广。
Our magazine published the article “The Fate of Contemporary Drama” published by Mr. Wei Minglun in the 12th issue of last year, which produced great repercussions in the theater industry. As a result, the magazine opened the column of “The Fate of Contemporary Drama” and conducted an in-depth discussion. In the past six months, the surging currents and the winds gathered. Many theorists, critics and even grassroots theater writers have contributed and participated in the discussions. For a time, the fate of contemporary drama has become a hot issue. The issue of the four comrades discussed the minutes, topics related to drama and popular culture, the evaluation of artistic value, literary and artistic policy, the law of creation, the duties of artists, the drama of hope and prospects, and many other aspects. Its purpose is to open up new ideas and lead the discussion deeper and wider.