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在孔子《阳货》篇中,有“子曰:‘小子何莫学夫诗?诗可以兴,可以观,可以群,可以怨。迩之事父,远之事君,多识于鸟兽草木之名。’”孔子在这则语录里提出了“兴观群怨”说,诗可以兴、观、群、怨,就是肯定文学的观察社会、干预生活、修养身心、治国齐家的作用。同为东方奇葩,贾希利叶时期诗人祖海尔是阿拉伯诗歌史上最著名的诗人之一,其代表作《悬诗》独具美学价值,影响深远。本文试从东方美学中的“意象”蕴涵和哲理蕴涵两方面,探究祖海尔《悬诗》的美学蕴涵。
In Confucius “Yang goods” articles, there are “child said: ’boy He Mo academic poetry? Poems can Xing, you can view, you can group, you can complain. In this quotation, Confucius put forward the idea of ”reviving the concept of group resentment“, saying that poetry can prosper, view, group and blame is to affirm literature to observe society, interfere with life, cultivate body and mind, and administer state affairs The role of home. The same as the wonderful work of the East, Zu Haier, the poet of the Jalithiye period, is one of the most famous poets in the history of Arabic poetry. His masterpiece Hang Poem has unique aesthetic value and profound influence. This paper attempts to explore the aesthetic implications of Zu Haier’s ”hanging poems“ from two aspects of ”imagery" implication and philosophical implication in Oriental Aesthetics.