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午后三点,自称“音乐杂食者”的尹朝阳站在一件尚未完成的作品前。镜头背后,百万音响里翻滚出巨大的声浪,正冲刷着艺术家跟中晨错交汇的界点。在作品的正上方,一隅垂吊在头顶的突兀亮光,将午后的工作室渲染成一处静穆的黑白色空间。从上午11点到午后4点半,随着光线的游移,树影婆娑的阴影,慢慢覆盖掉了瞬间永恒的假象。
At three o’clock in the afternoon, Yin Chaoyang, who claimed to be “music omnivore”, stood in front of an outstanding work. Behind the lens, millions of sound in the roll out of a huge noise, is flushing the artist with the mistakes in the morning junction. Just above the work, a dazzling corner of the ceiling hangs in the corner, rendering the afternoon studio a quiet black-and-white space. From 11 am to 4:30 pm, with the wandering of light, the shadows of the shadows of the trees gradually covered the illusion of an instant eternity.