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对2016年的中国话剧剧场来说,“回暖”这个词显得保守,“升温”又似乎过头。因为回暖始自十几年前,2016的暖意只是一种延续;而升温也不具有整体覆盖性,不同领域的热度并不均衡。因此,当我根据自己的不完全观察,尝试描述2016年话剧印象时,这两个首先跳入脑海的词虽然接近我的表达意图,但都还不够恰切。或许,我只能这样说:2016年,话剧在当代中国保持了蓬勃发展、平稳上升的态势。它既在原创、引进、大
For the 2016 Chinese drama theater, the word “rebound” seems conservative, and “warming up” seems overdone. Because warming began more than a decade ago, 2016’s warmth is just a continuation; and warming does not have the overall coverage of different areas of heat is not balanced. Therefore, when I tried to describe the 2016 drama impressions based on my incomplete observations, the two words that came to my mind first came close to my intention, but they were not enough. Perhaps, I can only say: In 2016, drama maintained a vigorous and steady upward trend in contemporary China. It is original, introduced, big