有句话叫“历史是不可复制的”。但当歌剧《夜宴》开场,坐在台口的那位既是剧中人物燕乐坐部伎的琵琶女,又是歌剧音乐配器中琵琶的演奏员,拨响了第一个深幽的音符时,一个五百多年前历史上著名的场景再现了。南唐名士韩熙载,日日狎妓夜宴,以这种自污的行为来拒绝在误国之君李煜的朝廷中出将入相。在一曲清商乐中,又一场夜宴开始了。“置酒高堂,悲歌临觞。人生几何,视如朝霜。” 第六届北京国际音乐节上的“中国当代歌剧之 There is a saying “history is not copied.” However, when the opening night of the opera “Banquet” took place, the poet sitting at the mouth of the opera was both a lyricist and a pipa performer in the musical instrument. When the first deep note was sounded, , A famous scene of more than 500 years ago reappeared. South Tang celebrities Han Xizai, daily prostitutes banquet, with this self-defeating behavior to refuse in the wrong king Li Yu’s court will be out of phase. In a Qing commercial music, another night banquet began. “Set wine high hall, sad songs.” Geometry of life, as Korea frost. “Sixth Beijing International Music Festival” Chinese contemporary opera