“屋子里的天使”和“屋子外的交际花”是西方十九世纪文学中比较令人注目的女性人物形象,比较一下这两类女性形象,我们就会发现:“屋子里的天使”主要来自现实生活中男权中心社会对女人的期望和控制,是传统男权的女性价值尺度在文学中的折射;“屋子外的交际花”不仅仅是在努力取悦资助她们的男人,她们的很多才华都用来反抗、挑战当时的环境,她们在这类事件中创造了魔力,创造了传说,表现出一个生机勃勃的灵魂,一个独立的、不可预料的神秘个体,同时她们还体现出一种坚忍不拔的勇气。 Angels in the House and Social Flowers outside the House are the most striking images of women in the nineteenth century literature in the West. Comparing these two types of female images, we find that: The angel “mainly comes from the patriarchal society in the real life. The expectation and control of women in society is the refraction of literature on the female value of traditional patriarchal ideology.” Communication outside the house "is not only an effort to please the funding of women Of men, many of whom are used to resist and challenge the environment at the time. They have created magic in such events, created legends, demonstrated a vibrant soul, an independent and unpredictable mysterious individual while They also show a kind of perseverance.