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人类最早的审美意识是在自然美的环境氛围中逐渐形成的,人们的形式感,对对象色彩、声音、形状等的敏感源于对自然对象的观照,源于大自然的启示。感受大自然的声色之美是人类最早的审美行为,人类的形式感起源于对大自然对象的注视和观察。中国古代的山水诗、山水画都是从自然景物中搜寻妙趣,在自然妙趣之中体现审美主体精神境界的自由超越和返璞归真的性情特征。因此,山水画由实用性转化为艺术性形式,从原生色彩上升到“喻象性”人文体系的建立,始终与自然之间的关系保持着一种
The earliest aesthetic awareness of mankind is gradually formed in the natural beauty of the environment. People’s sense of formality and their sensitivity to the color, sound and shape of the object come from the observation of the natural object and from the revelation of nature. Feeling the sensual beauty of nature is the earliest aesthetic behavior of mankind. The sense of form of human beings originates from the observation and observation of the objects of nature. Ancient Chinese landscape poems, landscape paintings are all from the natural landscape in search of fun, in the natural charm of the aesthetic realm reflects the spiritual realm of the spirit of freedom beyond and back to nature. Therefore, the landscape painting from practicality to artistic form, from the original color rose to “metaphor ” the establishment of the humanistic system, has always maintained a relationship with nature