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本文试图以廖冰兄1949年前后的漫画创作、言论以及社会活动为主体,结合其超过半个世纪的漫画经历,在“革命话语”研究中拓展漫画的叙述空间。
This article attempts to expand the narrative space of comic in the study of “Revolutionary Discourse” by combining Liao Bingxiong’s comic creation, speech and social activities around 1949 with his more than half a century of comic experience.