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上世纪90年代以来,新生代美术以崭新的面貌出现在中国当代艺术的舞台上。在70年代末反思文革、80年代末激烈探索之后,90年代的新生代美术更多的是对世间百态的冷眼相观,具有迥然不同于以往时代的风格特征。新生代美术分为两大派系,分别是以刘小东、俞红、方力钧、王劲松为主的北方新生代,以丁一、秦一峰以及徐累为代表的南方新生代。在北方新生代这里,质朴、平淡,反映现实生活的美,为其作品特色;南方新生代的风格类型较为纷繁多样,抽象与实验、多元
Since the 90s of the last century, the new generation of art has appeared on the stage of Chinese contemporary art with a brand new appearance. After introspecting the Cultural Revolution in the late 1970s and after intense exploration in the late 1980s, the new generation of fine art in the 90s focused more on the cold-headed view of the world and on the characteristics of style that were quite different from those of the past. The new generation of art is divided into two major factions, namely the North Cenozoic dominated by Liu Xiaodong, Yu Hong, Fang Lijun, Wang Jinsong, and the southern Cenozoic represented by Ding Yi, Qin Yifeng and Xu tired. Here in the North Cenozoic, simple, plain, reflecting the beauty of real life, as its work features; Southern Cenozoic style is more diverse, abstract and experimental, multiple