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余华的《兄弟》与他十几年前的中篇小说《祖先》呈现出惊人的同构性。《祖先》表现了余华“否定欲望”的“祖先”哲学,这种哲学渗透在其“转型”后小说《活着》与《许三观卖血记》中,而与《祖先》存在高度相关性的《兄弟》同样是以这种“祖先”哲学观照当下欲望现实的结果。余华对现代欲望社会的忧虑与本雅明对现代性的思考是相似的,而《兄弟》的内容与形式也暗合了本雅明对现代性语境下艺术命运的分析与论述。
Yu Hua’s “brother” and his dozen years ago novella “ancestors” showing astonishing isomorphism. The “ancestors” show the “ancestral” philosophy of Yu Hua “Negative Desire ”, which permeates the post-transition The “brother” with a high degree of ancestral relationship is also the result of the contemplation of the present desire of desires with this “ancestry” philosophy. Yu Hua’s anxiety about the modern desire society is similar to Benjamin’s thinking on modernity. The content and form of “brother” also implies Benjamin’s analysis and discussion of the fate of art in the context of modernity.