从《鲁迅著译编年全集》中与莎士比亚相关的论述爬梳出鲁迅对作为经典的莎士比亚其人其作的态度。在鲁迅留日期间,莎士比亚是代表西方文明的符号;归国后,因为主体的文化选择,鲁迅疏离了莎士比亚;后期,莎士比亚成为攻击的矛指向论战方。作为被悬置的经典,莎士比亚没有真正被鲁迅创作性地转换于自己的创作中,但鲁迅因其和莎学独特的交集成为中国莎学学者的一员。 From the discussion of Shakespeare in Lu Xun’s Complete Works of Chronicles, Lu Xun explores his attitude towards the classic Shakespearean his. During his stay in Japan, Shakespeare represented the symbol of Western civilization. After returning to China, Lu Xun alienated Shakespeare because of his cultural choices. Later, Shakespeare became the target of the attacks. As a canonized classic, Shakespeare did not actually transform himself into his creation by Lu Xun, but Lu Xun became a part of the Chinese scholar in his unique interaction with Shakespeare.