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悲剧自古希腊诞生以来,形成了稳定的悲剧传统,由此传统而生的悲剧精神也一直以其严肃、崇高震撼人心。在《不能承受的生命之轻》中,弗兰茨一直是评论界较少关注的二线人物。但笔者发现,米兰·昆德拉正是以此形象承载了他对当代悲剧精神的思考,这表现在:作家首先审视此人物的存在处境,显性地解构其悲剧中严肃崇高的一面;同时又针对人物对当前命运作出的行动,隐性地认同了他“重寻悲剧的权利”这一行动。米兰·昆德拉也由此对当代社会中人之存在状态作出了形而上的思考。
Since the birth of ancient Greece, Tragedy has formed a stable tragedy tradition. Therefore, the traditional tragedy spirit has always been shaken by its solemnity and lofty spirit. In the “unbearable life of light”, Franz has been less concerned with the critics on the second line. However, the author finds out that Milan Kundera carried the thinking of his contemporary tragedy spirit with this image. This is manifested in that: the writer first examines the existence of this figure and decodes the solemn and noble side of his tragedy; meanwhile, In response to the action taken by the characters on the current destiny, they implicitly agreed with him to “look for the right to tragedy”. Milan Kundera also made a metaphysical consideration of the state of human existence in contemporary society.