当你知道钢琴声音中泛音之间实际上存在着不和谐(频率不成整数倍)时,可能会把这看成是一种缺点,甚至会埋怨为什么不想法改正它。人们已经注意到,如果有谁“治好”这个缺点,也许大家并不喜欢这种更改后的新声音,因为他们对原来的琴音已经习惯了。在已往三十年中,自从洛德·雷利(Lo-rd Rayleigh)对此研究后,在有关钢琴声音泛音的不和谐方面的课题上问世了不少文 When you know that there is in fact a discordant harmonics (an integral multiple of the frequency) between overtones in your piano sound, you may think of it as a flaw, and you may even complain why you do not want to correct it. People have noticed that if anyone has the “cure” flaw, maybe you do not like the new sound after the change, because they are accustomed to the original tone. In the past three decades, since Lo-rd Rayleigh’s research on this subject has resulted in a number of issues in the discourse on discordant aspects of the piano sound