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空间“塑造力”是舞蹈创作中舞台调度研究的核心问题之一,其目的在于使舞蹈的“物理空间”与“虚幻空间”无形融合,在“有限”的空间里实现“无限”的表达。本文依据“力效”原理,从“视错觉”审美效果阐述“物理空间”在舞蹈创作中的的塑造力:第一,线性透视错觉调度改变物理空间深度;第二,运动透视错觉调度突破物理空间秩序;第三,光影透视错觉调度重构物理空间维度;第四,错位透视错觉调度再造物理空间形象。
Space “mold force ” is one of the core issues in the research of stage scheduling in dance creation. Its purpose is to make the dance’s “physical space” and “illusionary space” intangible fusion, in the “limited” space In the realization of “infinite ” expression. This article, based on the principle of “power efficiency”, elaborates the plasticity of “physical space” in dance creation from the perspective of “optical illusion” and “aesthetic effect”: first, linear perspective illusion adjusts to change the depth of physical space; secondly, Motion perspective illusion scheduling to break through the physical space order; Third, light and shadow perspective illusion scheduling reconstruction of physical space dimension; Fourth, dislocation perspective illusion scheduling rebuilding physical space image.