一石涛关于书法的论点石涛(一六四二—一七○八)作为清代初期最伟大的画家之一,在书法上也有着非同寻常的成就。一般研究者多注意他的绘画以及画论,而对他的书法研究不够。一六五二年石涛十岁时,在武昌,始读书、临书法帖以及山水人物花卉翎毛。此说见于李驎《大涤子传》:『年十岁,即好聚古书,然不知读。或语之曰:不读,聚奚为?始稍稍取而读之。暇即临古法帖,而心尤喜颜鲁公。或曰:何不学董文敏,时所好也。即改而学董,然心不甚喜。又学画山水人物及花卉翎毛。楚人往往称之。『从中可见他对董其昌式的柔美风格一开始就有不合之处。 Shi Tao’s Argument on Calligraphy Shi Tao (1642 - 1780), one of the greatest painters of the early Qing Dynasty, also had extraordinary calligraphy achievements. Most researchers pay more attention to his painting and painting theory, but his calligraphy research is not enough. In 1652 Shi Tao was ten years old, in Wuchang, began reading, calligraphy calligraphy and landscape characters flowers feathers. This is said in Li Kui, “Polyester Biography”: “At the age of ten, that is good poly ancient books, but I do not know. Or language says: Do not read, poly Xi for? Instant ancient Gufa Tie, and heart especially Yan Lu public. Or saying: why not learn Dong Wenmin, when also good. That change to learn Dong, but I am not happy. Learn to landscape characters and flower feathers. Chu people often call it. ”From this, we can see that he has some inconsistency with Dong Qichang’s gentle style at the very beginning.