早岁读皮埃尔·阿考斯、皮埃尔·朗契尼克的《病夫治国》一书,颇有感触。书中谈到一些国家的政要和领袖人物由于他们生理与心理的症患,而造成的人格缺陷与心理偏激。故而,在治理国家或对某一事项作出重大决策和判断时,难免会因其性格中的病态作出偏执与颠狂的举止。“通常,他们都造成了极大的破坏”。在人类历史与文化的发展长河中似乎也是这样。(当然,不可否认这中间有“超越”与“突破”的因素。)这样的举止,对世界历史、文化发展的负面影响是可想象的。因而,引起了社会更多的关注与反思。当下,书画艺术原本规范和标准的审美理念,在一些一夜之间 As early as reading Pierre Acos, Pierre · Langcnick’s “sick husband” a book, quite touching. The book talks about the personality defects and psychological extremes that politicians and leaders in some countries have caused because of their physiological and psychological problems. Therefore, when governing the country or making major decisions and judgments on a particular issue, it will inevitably be made paranoid and maddening because of the pathological conditions in its character. “Often, they caused a lot of damage.” This also seems to be the case in the long history of human history and culture. (Of course, it is undeniable that there are elements of “transcendence” and “breakthrough.”) Such a demeanor is conceivable to the negative impact on world history and culture. Therefore, it has aroused more concern and reflection in society. At the moment, the original aesthetic standards of painting and calligraphy and aesthetic standards, some overnight