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少数民族戏剧创作应该是最具有想象力、创造力和表现力的,但观念上思想上的保守和拘囿严重制约了其所能够达到的高度。当前少数民族戏剧发展存在两种重要倾向:戏曲化和歌剧化。应该以建立民族戏剧体系为旨归,可以广纳博引,但无疑自己民族的文化资源是最有特色和最有活力的,属于戏剧核心和灵魂的、从形式到内容都应该是自己民族的。
Minority drama creation should be the most imaginative, creative and expressive, but ideologically conservative and detention seriously restricts the height it can reach. There are two important tendencies in the current development of minority nationalities: dramatization and operatization. It should be based on the establishment of a national drama system, which can be widely cited. However, it is doubtless that the cultural resources of one’s own nation are the most distinctive and energetic, belonging to the core and soul of the drama. From the form to the content, .