论文部分内容阅读
李泽厚在《美的历程》中指出:“以李白、张旭等人为代表的‘盛唐’,是对旧的社会规范和美学标准的冲决和突破,其艺术特征是内容溢出形式,不受任何形式的束缚局限,是一种还没有确定形式、无可仿效的天才抒发。”李先生此论甚称精辟!盛唐迥异于王羲之所处的偏安江南的东晋时代。王羲之冲和典雅、不激不厉的草书透出一种中正平和的气象,是他那个时代精神风貌的体现。
Li Zehou pointed out in his “Course of Beauty”: “Tang’s prosperity, represented by Li Bai and Zhang Xu, is a blunder and breakthrough of the old social norms and standards of aesthetics. Its artistic feature is a form of content overflow without any The limitations of the form of binding, is a form that has not yet been determined, there is no imitation of the genius to express. ”" Lee this theory is even incisive! Sheng Tang is different from the Wang Anzai where the Anjang Jiangnan East Jin Dynasty. Wang Xizhi red and elegant, unrelenting cursive revealed a meteorological peace, is the embodiment of his spirit of the times.