启蒙叩开了民智,塑造了新型的价值体系——看似和宗教相对立的“去基督化”(deChristianization)的革命意识形态,投射到绘画艺术上,就是女性地位的突出并开始发挥作用。然而,事实真是如此简单?从活的艺术实践之中,无论《荷拉斯三兄弟之誓》还是《萨宾妇女》等绘作,实际上显露出的仍是当时的语境对于女性身份及其反映在绘画艺术之中的“似放实收”的旧有观念。 Enlightenment knocked on the wisdom of the people and created a new type of value system - a seemingly religious “revolutionary” ideology of “deChristianization” projecting onto the art of painting as a prominent and beginning to play a role of women effect. However, the fact is so simple? From the lively artistic practice, no matter whether “the oath of the Three Rashad brothers” or the “Sabine Women” is actually revealed, It is reflected in the old concept of “giving and receiving” in the art of painting.