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有扎实丰富的史料文献,但不是历史研究;有精妙的细节与情景,但不是小说;有节制的想象,但不是虚构;有人物形象,但不是传记。人物、场景、事件、历史、文化、精神、传统、学理等等,都纳入到一种沉思之中,并在现代汉语的内部,以老祖母般的耐心,拾掇那些散乱的资料线头,编织出一种对象素材都无法预设的文体,我们只能说出这样的文体不是什么,这就是赵柏田先生的近作《岩中花树——十六至十八世纪的江南文人》。
There is a rich and abundant historical document, but not historical studies; exquisite details and scenarios, but not fiction; moderated imagination, but not fiction; character images, but not biographies. People, scenes, events, history, culture, spirit, tradition, study, and so on are all incorporated into a kind of contemplation. In modern Chinese, they are weaved out by the grandmother-like patience A style of objects can not be preset material, we can only say that such a style is not what this is Mr. Zhao Baotian’s recent works, “rock flowers - 16 to 18th century Jiangnan literati.”