印章款识最早是为了记载印章制作的时间与出处。直到文人介入篆刻,印章不仅在本体上变得更加艺术化,其款识的内容与形式也丰富起来。明清印章款识中拥有丰富的第一手文献资料,而目前对其关注的程度还远远不够,尤其是从印章款识文献角度出发研究篆刻技法的成果鲜见。即便是涉及到 The first seal is to record the time and source of the seal. Until the literati involved in carving, seals not only become more artistic ontology, the content and form of its section also enriched. The Ming and Qing dynasties have rich first-hand literature information, and the current concern is far from enough, especially the research on the seal-cutting techniques from the point of the seal identification literature is scarce. Even if it is involved