论文部分内容阅读
影片《小花》的编导如同辛勤的园丁,他们以摄影机这把神锄,修枝松土,倾洒汗血,浇灌培育出一朵独具风采的艳丽的花。枝繁叶茂种类不同, 舜花的枝叶便有差异,或独枝傲挺, 或三权鼎立,花叶大小不一,形状万千。文艺作品的结构如同花的枝叶,也是千变万化的,有的单线发展,有的复线交叉。《小花》突破了过去电影中按情节、矛盾发展的逻辑来组织内容的那种单线结
Film “flowers” as director of hard gardeners, they are the camera hoe God, pruning, pouring sweat, water to cultivate a unique and colorful flowers. Different types of leafy branches, sunflowers, there are differences in branches and leaves, or sticks proud proud, or the tripartite confrontation, mosaic sizes, shapes and sizes. The structure of literary and artistic works is like the branches and leaves of flowers, but also the ever-changing ones. Some of the single-line developments and some double-lines intersect. “Little Flower” broke through the past movie in accordance with the plot, the logic of contradictions to organize the kind of single knot