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小戏作为一种戏剧样式有其独特的审美特点,它贴近生活、短小凝练、灵动活泼,深刻地反映了人民的生活,记录了人民的喜怒哀乐,长期以来受到广大观众的喜爱。特别是近年来各地文艺院团送戏下乡、惠民演出力度加大的同时,却常常苦恼于缺少与时俱进的原创作品。小戏虽小,但其创作并非易事,有其自身的艺术规律。以下是笔者参加中国剧协今年在张家港举办的“小戏小品创作研修班”时聆听了众位专家的讲座之后,对于小戏创作的几点思考。
As a drama style, the mini-drama has its unique aesthetic characteristics. It is close to life, short and concise, vivid and lively, profoundly reflects people’s life, and records people’s emotions. It has long been loved by the audience. In recent years, in particular, the arts and cultural centers all over the country have sent their films to the countryside and Huimin performances have intensified. At the same time, they often suffer from the lack of original works that are keeping pace with the times. Small drama is small, but its creation is not easy, has its own artistic rules. The following is the author to participate in this year’s Chinese Theater Association held in Zhangjiagang “small skit creation seminar ” after listening to the lecture of experts, the creation of a few ponders.