青藏高原雄踞世界之巅,洁白的冰雪令这片土地神圣而冷峻,美丽的雪域令无数艺术家魂牵梦萦。自20世纪50年代始,藏族题材的中国人物画作品频频问世,并成为绘画史上最为精彩的篇章之一。与中国人物画史的发展脉络相一致的是,藏族题材的中国人物画亦大致分为“20世纪50年代至70年代”和“20世纪80年代以来”这两大时期,前者着重于歌颂新西藏的新面貌,表达 The Qinghai-Tibet Plateau tops the top of the world. The white ice and snow make this land sacred and cold, and the beautiful snowfields make many artists dreary. Since the 1950s, Chinese portraits of Tibetan subjects have appeared frequently and become one of the most exciting chapters in the history of painting. In line with the development of the history of Chinese figure painting, Chinese figures of Tibetan themes are broadly divided into two periods: from the 1950s to the 1970s and from the 1980s to the 1980s, the former Focus on praising the new face of new Tibet, expression