《朱》剧有别于梨园戏其他传统生旦戏,本剧既有曲折繁复的情节追求与磅礴震撼的气势营造,同时又不失为抒情造境、细腻雅致,具有鲜明的沉潜而内在的戏剧性和浓郁的抒情美学取向。我认为,本剧的舞美设计也应该或必须遵循一种守成意识和文化自信,只有守成才能更好地展现梨园戏刚柔相济的剧种特色,而充满文化自信,方能努力去探索戏曲的现代品格。在不破坏戏曲 “Zhu” drama is different from the pear orchard play other traditional life-Dancing drama, the play has complicated twists and turns in pursuit of the momentum and majestic momentum to create, while at the same time lyrical environment, delicate and elegant, with distinct subtle and inherent dramatic And rich lyric aesthetic orientation. In my opinion, the design of the opera’s beauty should or must follow a sense of conservatism and cultural self-confidence, and only the conservative can better show the unique characteristics of the drama of the opera, but full of cultural self-confidence can only strive to explore the modern character of the opera. Do not destroy the drama