巴赫金(M.M.Bakhtin)在诠释其狂欢化诗学理论时曾特别强调:“文艺复兴时期,狂欢节的潮流可以说打破了许多壁垒而闯入了常规生活和常规世界观的许多领域,整个文学都实现了十分深刻而且无所不包的狂欢化。”莎士比亚作为这一时期文学的代表人物,其“戏剧的结构里也能揭示出重要的狂欢化因素”。《仲夏夜之梦》(A Midsummer Night’s Dream)(以下简称《仲》)就建构了一个颠覆既有秩序的狂欢世界。 In his interpretation of his carnivalesque poetics, MMBakhtin emphasized in particular: “During the Renaissance, the trend of the carnival broke through many barriers and broke into many areas of conventional life and conventional world outlook. The entire literature All achieved a very profound and all-encompassing carnivalization. ”“ As a representative of this period, Shakespeare also revealed an important element of carnival in the structure of theater. ” A Midsummer Night’s Dream (hereinafter referred to as “Zhong”) constructed a subversive order of the carnival world.