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众所周知,意大利是文艺复兴的发源地,是歌剧的故乡。歌剧自1600年在这片土地上诞生之后,经过几百年发展传承至今已成为全世界人类共同的宝贵艺术遗产。歌剧表演是声乐表演艺术的重要形式之一,此外,为音乐会、音乐沙龙所常见的艺术歌曲演唱是声乐表演艺术的另一重要表现形式。意大利不仅拥有歌剧这一艺术瑰宝,同时也拥有大量旋律优美的艺术歌曲。欧洲的歌唱家们在独唱音乐会中一般将歌剧选段只是作为音乐会的返场曲目来演唱,而绝大部分曲目都是适于音乐会演唱的艺术歌曲。拿坡里民歌也属于艺术歌曲的范畴。继笔者的意大利访学成果之一、由笔者编译的《意大利室内乐歌曲集1-3》由人民音乐出版社出版发行5年之后,笔者近期编译的“意大利拿坡里民歌精选集”已经通过人民音乐出版社的选题,将由人民音乐出版社出版发行。无论从声乐教学实践还是理论研究范畴,编译“意大利拿坡里民歌精选集”都具有重要意义。
As we all know, Italy is the birthplace of the Renaissance, is the hometown of opera. After the birth of the opera on this land in 1600, the heritage of centuries of development has now become a common and valuable artistic heritage of mankind throughout the world. Opera performance is one of the most important forms of vocal performance art. In addition, singing for art songs often found in music salons is another important manifestation of vocal performance art. Italy not only owns the art treasures of opera, but also has a large number of melodic artistic songs. European singers in solo concerts usually perform their opera selection only as concert repertoire. Most of the songs are suitable for concerts. Napoli folk songs also belong to the category of art songs. Following the author of one of the results of the visit to Italy, compiled by the author, “Italian Chamber Music Songs 1-3” published by the People’s Music Press five years later, the author recently compiled “Italy Napoli Folk Song Collection ”Have been selected by the People’s Music Publishing House, will be published by the People’s Music Publishing. In terms of vocal teaching practice or theoretical research, it is of great significance to compile the “Italian Napoleonic Folk Song Collection”.