《新青年》与章士钊主编的《甲寅》月刊虽有深厚渊源,却是和而不同,前者从创刊伊始就将读者群定位为知识青年,文章导向、栏目设置乃至刊物定价皆以服务青年为出发点。同时,较之《甲寅》,《新青年》减少了政论的比重,转而寻求从思想文化角度发表议论、影响社会。《甲寅》的边缘作者胡适在《新青年》一跃成为主角,则推动《新青年》逐渐摆脱了《甲寅》的论政风格,打出“文学革命”的崭新旗号,完成了从青年励志刊物向新文化舆论载体的转型。 Although there is deep origin in the monthly magazine “Jiayin” edited by “New Youth” and Zhang Shizhao, the former is different from the other. The former positions readers as intellectual youth at the beginning of the publication, and the article orientation, column setting and even publication pricing all serve young people as Point of departure. At the same time, compared with “Jiayin”, “New Youth” reduced the proportion of the political theory and instead sought to express their opinions from the ideological and cultural perspective and influence the society. Hu Shi, the author of the edge of “Jiayin”, became the protagonist when “New Youth” became a protagonist. It pushed the “New Youth” out of the political style of “Jiayin” gradually and played a brand-new banner of “literary revolution.” Transformation of Youth Motivational Publications to New Culture Public Opinion Carrier.