《哑女告状》是上世纪八十年代初由淮剧首演的新编剧目,剧目构思精巧、情节引人入胜、感情细腻丰富,随之由马金仙等老师移植为秦腔。我于1995年学习该剧并演出,塑造的掌上珠也受到观众的喜爱,并获得首届陕西省艺术节一等奖。掌上珠这个角色对演员的要求比较高,前后都有分量较大的唱功戏,中间又有大量做工戏,尤其是在掌上珠变哑之后,只能靠做工和表情来延续剧情。因此必须全面提升自己的表演技术,以充沛的感情外化 “Dumbbell Report” is a new repertoire debuted by Huai Opera in the early 1980s. The repertoire is exquisite in plotting, attractive in plot, rich in emotion, and transplants into the Qin chamber by teachers such as Ma Jinxian. I studied the show in 1995 and performed, shaped Pearl of the palm also loved by the audience, and won the first Shaanxi Provincial Arts Festival prize. This character on the palm of the beads on the actor’s request is relatively high, both before and after the larger part of the singing opera, there is a lot of work in the middle of the play, especially in the palm beads dumb, you can only rely on workmanship and expression to extend the plot. Therefore, we must fully enhance their performance techniques, with plenty of emotional externalization