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在电视手段和技术不断推陈出新的今天,关于纪录片的定义已经几经修改。但万变不离其宗,无论如何定义纪录片,一部好的吸引人的纪录片,不仅仅要有精彩的故事、富有表现力的主人公、独具风格的解说词,更重要的一点是,它必须有具有视觉冲击力的画面语言。画面是一部纪录片的灵魂,是纪录片真实性与艺术性最直接的体现。本文将通过作者在参与纪录片《中国梦·福建故事》创作中的实践经历,来分析如何更好地运用画面语言讲好电视故事。
Today, the means of television and technology continue to introduce new ideas on the documentary has been modified several times. But changing the story, no matter how the documentary definition, a good attractive documentary, not only have a wonderful story, expressive hero, style of commentary, more importantly, it must Have a visual impact of the screen language. The screen is the soul of a documentary and the most direct embodiment of documentary authenticity and artistry. This article will analyze how to make good use of the pictorial language to tell the story of television through the practical experience of the author in participating in the creation of the documentary “Chinese Dream, Fujian Story.”