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作为中华民族大家庭中的一员,近年来侗族以其独特的歌唱形式和歌唱文化给全国乃至全世界的观众带来了无与伦比的艺术享受。由此,侗族的历史和文化也开始为越来越多的研究者所关注。当一个民族的文化从大山登上了舞台,那它就不仅仅是一个独立的文化个体,而是牵涉各种因素的文化共同体,关于它的过去、现在和未来以及对它的保护、诠释和传承都将是人类面临的共同问题,也势必关乎人类文化、民族文化的经营和发展。本文拟贵州黔东南地区侗族为例,从民族学、人类学的角度去探讨侗族歌唱活动背后深层的文化功能,以期揭示侗族这一中国少数民族的民族特性,并试图勾勒出民族文化传承的意义和理想的研究模式。
As a member of the family of Chinese nation, in recent years, the Dong ethnic group has brought unparalleled artistic enjoyment to its audiences in China and around the world with its unique form of singing and singing culture. As a result, the history and culture of Dong people are also beginning to pay more and more attention to by researchers. When a nation’s culture has boarded the scene from the mountain, it is not merely an independent cultural entity but a cultural community involving various factors, regarding its past, present and future, as well as its protection, interpretation and Inheritance will be a common problem that mankind faces, and it will certainly be related to the operation and development of human culture and national culture. Taking the Dong nationality in Southeast Guizhou as an example, this paper explores the deep cultural functions behind the Dong ethnic singing activities from the ethnological and anthropological perspectives in order to reveal the ethnic characteristics of the Dong ethnic group in China, and attempts to outline the significance of ethnic cultural heritage And the ideal research model.