创作自述我发现,每当我面对照片进行油画“创作”时往往十分艰难,有时甚至觉得自己不会画画了,而我只要面对自然对象写生,我的创作表现才能和基本功又回来了。我以为这是因为我长期以来建立了一种以写生认识自然的方式和体系,掌握了一种通过观察,感悟,然后结合创作经验自如的形成绘画图像的方法。然而,长久以来,我在认识上往往将创作与写生割裂开来,没有真正明白创作与写生的关系,没有真正明白绘画的美是什么,油画表现的目的是什么。一旦明白了这个道理,我就找到了主动,写生时会更有针对性,观察更加有效,控制整体也更加自信了。而即使参考照片,也会自觉的偏离照片的表面细节,敏锐的捕捉照片提供的有用的形象特征。 I found that whenever I was painting “Creation ” in the face of a photo, I often felt very difficult and sometimes even felt I would not draw a picture. However, as long as I was faced with the sketching of natural objects, my creative ability and basic skills came back. I think this is because I have for a long time established a way and system of recognizing nature in sketch writing and mastered a method of forming pictorial images through observation, comprehension and then combining creative experiences with ease. However, for a long time, I often separated my creation from sketch in my understanding. I did not really understand the relationship between creation and sketching. I did not really understand what the beauty of painting was and what the purpose of painting was. Once I understood the truth, I found the initiative, which was more specific in my sketching, more effective in observation and more self-confident in overall control. Even reference photos, but also consciously deviate from the details of the surface of the photo, sharp capture photos provide useful image features.