中国的木雕,早有一套雕刻之法,即古人所谓的“刻削之道”。如韩非子引桓赫的话说:“刻削之道,鼻莫如大,目莫如小。鼻大可小,小不可大也。目小可大,大不可小也。举事亦然。” (韩非子《说林》)桓赫说的是刻木为人的方法,韩非子则是借此来说处事为人的道理。由刻削之道演绎处事之道,是中国文化“由器入道”、“以道涵器”的特有方式,其中的哲理意蕴是由木雕来承载 China’s wood carving, has a long history of carving, the so-called “carving path.” If Han Fei Zi cited Huan said: “The way of carving, like a big nose, head Mo Mo small .No big or small, small or not .Small can be big, Said Lin ”) Hwan Hyuk said that the method of carving wood, Han Fei is to take this as a matter of service. The way of doing things by carving is the peculiar way of Chinese culture “entering the road by means of instruments” and “passing through the culvert of rivers”. The philosophical connotation of this is borne by woodcarving